Glass Mother by Rosie Jackson

Review by The Mole

Rosie Jackson grew up with a drive to succeed and a love of books. This led to her teaching at the very prestigious University of East Anglia, meeting and working with many household names. Clearly she had 'made it' but was it everything she expected and desired?

This feels like a very cathartic work with honesty and detail that many will relate to at some point. There is much I could say about this work that will have you rushing away saying 'No, not for me' - in fact there are parts that would have had me saying the same but nothing put me off finishing this work.

There were parts that had me looking back at my life and perhaps understanding better some of the things in my own family. There are reminiscences where she is condemned by media people as a bad mother although they were not interested in her side of events - hopefully everyone who condemned her will take time to read this narrative and reflect on their own bigotry.

I feel this is an important work on how women are treated by partners, strangers and media alike as well as a major condemnation of mental health support services.

Read this and reflect on how you might have perceived and reacted to the biographer if you hadn't read it first.

Publisher - Unthank Books
Genre - Autobiography, memoir

Watch Her Disappear by Eva Dolan

review by Maryom



When a female jogger is found dead by the river, it's at first assumed that a serial rapist known to be preying on women in the Peterborough area is behind the attack. It's soon discovered though that the victim was actually a man part way through transitioning to become a woman, so the case is passed over to DI Zigic and DS Ferreira at the Hate Crimes Unit, and the perpetrator assumed to be someone who's been violently attacking trans women in the town. But as they begin their investigations, interviewing family and friends, suspicions begin to fall much closer to home ...

Watch Her Disappear is another excellent police procedural from Eva Dolan, featuring Zigic and Ferreira of the Hate Crimes Unit. The whodunnit aspect of the novel is particularly twisted and complex with a variety of suspects and motives presenting themselves, but it also gives an insight into the troubled lives of those who choose to undergo the trauma of sex reassignment, not only the casual bigotry they might meet in everyday life but particularly the reactions of those closest to them. Despite being married for many years, and having three children, Colin Sawyer had opted to become Corinne, to dress and live as a woman and to start the surgery necessary to complete the transition. While some of his family were willing to accept him in his new persona, for others it wasn't so easy, seeing him as an embarrassment and freak.
Zigic and Ferreira have a difficult task ahead to unravel all the various possible leads, with (at least) three possible lines of enquiry, and CID meanwhile trying to claim the case back as 'theirs', believing that the known but impossible to convict rapist is behind the attack. 

Maryom's review - 4 stars 
Publisher - Harvill Secker
Genre - adult, crime

Sirens by Joseph Knox

review by Maryom


"Isabelle Rossiter has run away again.

When Aidan Waits, a troubled junior detective, is summoned to her father’s penthouse home – he finds a manipulative man, with powerful friends.

But retracing Isabelle’s steps through a dark, nocturnal world, Waits finds something else. An intelligent seventeen-year-old girl who’s scared to death of something. As he investigates her story, and the unsolved disappearance of a young woman just like her, he realizes Isabelle was right to run away.

Soon Waits is cut loose by his superiors, stalked by an unseen killer and dangerously attracted to the wrong woman. He’s out of his depth and out of time.

How can he save the girl, when he can't even save himself?"




To be honest, the blurb for this book (above) didn't really entice me - it had the feel of so many other thrillers, and, having just given up on two domestic noir novels, I wasn't really feeling in the mood for crime. So I ignored the first few people on Twitter who suggested this for my next read, and it wasn't till the book's publicist (whose opinion I've come to know and trust) backed them up that I requested a Netgalley review copy. Cutting a long story short - I'm so glad I listened to her (and sorry I didn't take the word of the others).


There's a lot that you'll encounter in many a crime novel - charismatic but violent drug dealers, corrupt cops, sleazy bars, city lowlifes, double-crossing here there and everywhere, and an unexpected twist at the end - and it's undoubtedly a rattling good read, but there are so many such books that it's difficult sometimes for one to stand out. This for me did, thanks to the 'voice' with which it's told. The story unfolds in first person, in Waits' own words, and he's a narrator who feels like a cross between Chandler's Philip Marlowe and the unnamed guy from JJ Connolly's Layer Cake - someone a little cynical, wise to the ways of the underworld, but who knows that corruption and evil can be found on both right and wrong sides of the law, with his own 'issues' but somehow at heart you know he's a good guy. I'd grown rather fond of him by the end, and I hope he'll be back.

Maryom's review - 5 stars

Publisher - Doubleday

Genre - adult crime 

Cynan Jones on his latest novel "Cove" - author interview

 As you may already know, here at Our Book Reviews Online we're great fans of Welsh author Cynan Jones, so we're delighted that he's agreed to answer a few of Maryom's questions about his latest novel, Cove. As I've come to expect from his writing, this may be a short book, but it's big on impact, and hidden depths ... 

"Out at sea, in a sudden storm, a man is struck by lightning. When he wakes, injured and adrift on a kayak, his memory of who he is and how he came to be there is all but shattered. Now he must pit himself against the pain and rely on his instincts to get back to shore, and to the woman he dimly senses waiting for his return."

The publisher’s blurb describes your latest novel “Cove” as the story of “a man locked in an uneven struggle with the forces of nature”. Now the image that immediately springs to my mind reading that is of an action-packed adventure with the hero facing huge mountainous waves and maybe a killer whale or two thrown in for good measure, but I’d have imagined wrongly! How would you describe it?

Cove is about attrition, and faith.  Those are the two things you need in the face of overwhelming odds; and Nature is overwhelming.


At ninety-five pages ‘Cove’ certainly isn’t a long novel, and there’s a feeling of everything being pared down to the merest essentials. How did the writing of it progress; was it always going to be this short, or did you start with a massive epic and chip away at it till the very bones were left? Could it even be a case of more words would not have added anything?

At one stage the manuscript was 30,000 or so words. There was more before the storm, and the story travelled past the point is ends now.  But something wasn’t right. I kept trying to write around that. It got worse. Eventually, I stepped away, let the book settle in my head until I saw it clearly, and went back to the desk months later. The story found its form around 11,500 words. That’s why it wouldn’t work at 30,000…


There’s a thank you at the end which infers that at least some of this novel is written from personal experience. How much did that experience add to the story? Could you have written it without this having happened?

The thank you at the end is chiefly allegorical, but a number of personal experiences found their way into the book. I was on the beach when a lifeboat came searching the shore; I’ve been thrown out of a kayak in a squall (something about that here); I was visited by glow-in-the-dark dolphins while night fishing as a teenager.

The idea of casting a man out alone on a kayak, bringing in my experiences on the water, was in my head for some time, but it took years for that idea to fuse into a story. The lightning strike delivered the point of fusion.


One moment particularly terrified me – a point at which the kayak has drifted out of sight of land, absolute emptiness on all sides with no sense of which way to paddle to safety, then the man looks down into the depths – and it seems like he’s balancing on the edge of a cliff and could easily fall over. I’d never seen water this way but as a person with a fear of heights, I’m never  going to forget this image!

The surface is everything, in Cove. It’s the place of awareness. The point where depth and space meet.
Dare I ask you to elaborate on that?
It is, absolutely, a physical thing too, the surface. But there's so much meaning in it - the meniscus that physically supports him; the place two elements (we are not able to inhabit properly - water and air) meet... it's both the tightrope and the safety net.

That image of a man precariously balanced (which again terrifies me) leads nicely to the next question ...

Although ‘Cove’ is the story of one man, I saw a wider relevance – that this is a story for any of us that feel we’re out of our depths -  and an echo of Stevie Smith’s “I was much too far out all my life/And not waving but drowning”.  Where you thinking in this way when writing or am I being guilty of reading too much into it? 

I was absolutely thinking this way. Ostensibly, I wanted the narrative to be straight forward and physical and limited to the capacity of one damaged character. But beyond (below, and above) that, it had to be massive, universal, ambiguous and faceted.


And lastly, although it’s difficult to discuss without spoilers – how did you see the ending...   I saw it as hopeful, other reviewers say it isn’t. Can we agree that’s it’s at least ambiguous?

Ah! I just used that word ambiguous. I know what happens to him because the first drafts went past the point the book now ends.  So why end it where it ends? Because the story should always go beyond the book. And that happens in the reader’s mind. Would you survive? Make it back? Give up? Much of the ending relies on the character of the reader. Clearly, you believe in the outside chance. There’s hope. Right?

Definitely! When all else is gone, there's still hope, or so I believe. It's interesting though that reviews may be letting us inside the reviewer's head ... 

Thanks for dropping by, Cynan, and giving me possibly even more to think about!

Maryom's review of Cove can be found here

Cynan Jones' website can be found at www.cynanjones.net and you can follow him on Twitter as @cynan1975

Diary of a Teenage Rock God by Jonathan Meres

review by Maryom

Darren used to want to be a footballer when he grew up - but not any more! Now he wants to be a rock god. First though he needs a guitar, but it's his eleventh birthday next week, and maybe, just maybe, his dad will buy him one. Things aren't quite that simple with Darren's dad though - first he sets a series of clues,and it's only if Darren can solve  them that he stands any chance of getting that longed-for guitar ...


Join Darren on his discovery of all things rock - including the shocking discovery that not only was his dad young once, he was also kind of cool! On the way he shares his lists of things he's learned - from his Top Ten favourite guitar brands, facts about Radiohead and the Smiths, and songs with names in their titles. He can't think of one with Darren in it. Could you? or maybe one with your name?

It's a fun read, aimed at anyone from 8 upwards (even as far as grown-ups who can remember the music from their youth!) and presented in Barrington Stoke's accessible font and layout, with lots of music-themed line illustrations to liven up the pages.

Publisher - Barrington Stoke
Genre - children's 8-12, humour, music

The Bear and the Nightingale by Katherine Arden

"In a village at the edge of the wilderness of northern Russia, where the winds blow cold and the snow falls many months of the year, an elderly servant tells stories of sorcery, folklore and the Winter King to the children of the family, tales of old magic frowned upon by the church.

But for the young, wild Vasya these are far more than just stories. She alone can see the house spirits that guard her home, and sense the growing forces of dark magic in the woods... "


review by Maryom




Vasya is the daughter of a rich lord allied through marriage to the princes of Moscow, but, although expected to spend her days by the fire perfecting her domestic skills such as sewing or cooking, she'd rather be outside, roaming the forests that surround their home, or spending her time in the stables with the horses. She's also possessed of an unusual gift, inherited from her 'witchwoman' grandmother - the ability to see and talk to the small gods and spirits of hearth, stable, rivers and woods. Some of these are mischievous, leading travellers astray or snatching the young and unwary, but others are helpful, performing chores for their human hosts and guarding against the darker forces that lurk in the forest. But this is a time when the older ways, and belief in these gods, are dying, being replaced by Christianity which would ideally rid the world of such 'demons', and while the smaller domestic spirits are in decline, leaving homesteads unprotected, something evil is growing in strength.


The Bear and the Nightingale is a fabulous, atmospheric blend of history, folk tale, and fantasy, with a real feel for the snowy depths of a Northern Russian winter. It's set in the 12th century, in the area that will become Russia, but which for now is ruled by Rus' princes paying tribute to the Khan of the Golden Horde. It's a time and place of which most readers (like me) will have little knowledge, and the author brings it wonderfully to life. Even for a wealthy family such as Vasya's much of life revolves around farming (at harvest-time everyone has to join in, including her father and the village's priest) and preparing for the long winter; in fact I think winter is as much a character in the book as the humans or spirits. I loved the authors's depiction of a family huddled round their enormous oven, listening to folk tales, sleeping beside and even on top of it, desperately trying to keep warm as temperatures plummet, and, in sharp contrast to that domesticity, the wilds of the forests stretching seemingly for ever in all directions.
The story starts fairly quietly, with emphasis on Vasya's childhood and family, then in the second half the fantasy element becomes stronger, leading to a showdown between the forces of good and evil which threatens the way of life of Vasya and her family.

US cover

I picked this book up through Netgalley after seeing the publisher/publicist talk about it on Twitter.I was intrigued by the title, and chose it from the 'blurb' which appealed to me, so I hadn't seen the cover till I came to write this review - somehow to me it isn't a cover which shouts out 'read me', but if you feel the same way, ignore that feeling and read it anyway!

Following the comment form Charlie (The Worm Hole) below, I looked for the US cover. It's much nicer I think, conjuring up the dark, wintry mysteriousness of the story, and the contrast between warm, safe house and untamed surrounding forest.


Maryom's review - 4 stars
Publisher - Del Rey (Penguin Random House)
Genre - adult fantasy

The Dry by Jane Harper

We're delighted to be taking part today in the blog tour for a stunning Australian crime debut - The Dry by Jane Harper. All these bloggers will be posting today, Wednesday 11th January, and those for the rest of the week can be found after Maryom's review.




review by Maryom

The small Australian town of Kiewarra is gripped by the worst drought in a century. There's been no rain for two years. Crops and pasture wither away, stock dies, and farmers' livelihoods disappear. So although shocking, it isn't surprising when Luke Hadler takes his shotgun and kills first his wife and six year old son, then himself. It seems like an open and shut case; tragic but understandable, even to be expected with the current economic problems ...
For twenty years, Aaron Falk has kept clear of his hometown - he didn't even return for the wedding of his childhood friend, Luke Hadler - but a funeral is something he feels he can't avoid. Now a Federal policeman in Melbourne, he left in a cloud of suspicion following the suicide of another friend, Ellie Deacon, and Kiewarra's collective memory hasn't forgotten. Aaron's hoping his visit will be as brief as possible, but when first Luke's parents, then the local policeman, start to raise doubts about the Hadler family's deaths, he feels he owes it to his old friend to clear his name.

In a small town (at least in fiction), murder is rarely random but something stemming from hidden secrets and personal motives - and that's the case here, as much as in Miss Marple's St Mary Mead. There are two threads, linked by the actions of Aaron and Luke - as Aaron pursues his investigation into the Hadler family deaths, he's constantly reminded of the death of Ellie Deacon years before. Maybe that, too, wasn't suicide as originally presumed, and maybe the alibi Luke gave Aaron, was actually intended to cover Luke ... It seems Aaron isn't going to solve one crime without solving both, and for both there's a line-up of possible perpetrators and red herrings to keep the reader guessing till the end. The plotting's well thought out, and if you know where to look, and what for, the clues are there along the way.

After so many ice cold Nordic Noir crime novels, The Dry's Australian setting comes as a shock - the air ripples with heat, the ground is parched, and rivers once large enough to swim in have dried up completely. Despite the vast open spaces surrounding the town, within it the atmosphere is claustrophobic and tense. Tempers are already on edge due to the ongoing drought, and not improved by Aaron's presence or the thought that there is a murderer within the community.


It's often said in book reviews, but this really was a case of me being hooked from the first page. I loved the writing style, the characters, the sunburned setting, the nigh on perfect balance between the two threads - I maybe could have done without some of the creepy Australian spiders though, no matter how casually they seemed to be dismissed.







Maryom's review - 5 stars 
Publisher - Little, Brown
Genre -adult, crime, Australia


To read more about The Dry check out the rest  of the blog tour as below -