The Low Road by Katharine Quarmby

Hannah Tyrell's childhood was a happy one. She and her mother lived and worked on a farm in the Waveney valley in Norfolk, and despite some villagers looking down on her mother for being unmarried, their lives were settled and content. Then tragedy struck - Hannah's mother is arrested for the suspected murder of her newborn child, and commits suicide, and, the village not wanting to support her, Hannah sent away to a Refuge for the Destitute in London.

The one instance of companionship and love she finds there is deemed 'unnatural' and 'vicious' , and an attempt to run away leads Hannah into further trouble. Moving from one bad situation to a worse, her life cycles downwards until eventfully she's transported to Australia. 

The Low Road is the moving story of a young girl caught up, through no fault of her own, in the early 19th century system of Refuges and Workhouses that took care of the destitute. If you've ever watched the BBC series Who Do You Think You Are? which traces family trees, you'll be aware that once part of that system there's very little chance of escape.

It's a gritty, realistic story - both depressingly familiar, and yet unique; focusing on one individual, Hannah, and bringing life and compassion to the 'statistics' of Refuges' drudgery and transportation. An interesting read based on real-life records which brings the injustices of the past vividly to life.

Upon a Frosted Star by M A Kuzniar

Once a year, as the snow begins to fall on London, invitations arrive to a fabulous party held in a remote manor house. Attending for the first time, Forster is amazed and bewitched, by the opulence and magic of the evening, not least by the ethereal, enigmatic ballet dancer who steals his heart. Determined to find out who she is, he returns at a later date but finds nothing but an abandoned house and a lake on which a solitary swan is swimming. He must wait till the next winter before he can see his beautiful dancer again.

Through his love for Odetta, Forster finds inspiration for, and success in, his art, but they cannot be together until he can unravel the spell that ballet impresario Rothbard has cast over her

A mix of fantasy and historical fiction, Upon A Frosted Star is a beautiful, heartbreaking re-telling of Swan Lake, with a sprinkle of Gatsby-inspired parties thrown in. The story is simple in some ways - we know who the good guys are, we want them to live happily ever after, and we know that Rothbard is undoubtedly evil despite the magical ballets that he produces - but the telling is captivating.

The only negative I could find was that at times things move along a little too slowly. Part of this is due to Forster and Odetta being only able to meet in winter, but I also thought there was a little too much unnecessary (in my opinion at least) detour into the relationship between Forster and his friends, Marvin and Daisy. I wanted the story to stay with Forster and Odetta, and their attempts to be free from Rothbart's evil designs 

House of Odysseus by Claire North

In this second book of the Songs of Penelope, we return to the rocky island of Ithaca, home to Odysseus, who has been absent nearly twenty years, and to his wife, Penelope, who was left behind to wait, and keep things going as best she can.

Time is moving on though. Troy is defeated. Helen is back in Sparta with her husband Menelaus. Soldiers and sailors are now returned - all except Odysseus. On Ithaca, Penelope's position has become more precarious than ever after her son left in search of his father. With only a council of elderly men to support her, she needs to maintain peace and independence.
  Enter Orestes and Elektra, children of Agamemnon, caught up in their own Greek tragedy - their sister killed by their father, their father killed by their mother, Clytemnestra, who was in turn slain by Orestes in the name of justice. Remorse now seems to have driven Orestes to madness, and Elektra fears what will happen to both of them when word gets out. Their uncle, Menelaus, flush with his victory in Troy, seeks to take over Orestes' throne and make himself king of all the Greeks.

Book One, Ithaca, was told from the omniscient viewpoint of the goddess Hera. Now her role is taken over by Aphrodite, goddess of love with an eye for warriors' rippling muscles or women's softly turned limbs. She's sly and playful, but a fierce advocate of love in all its forms - romantic, familial, or just between friends.

Penelope is a lonely figure, in need of compassion and love. Her maids try their best but Penelope is still queen with the isolation and responsibility that position brings. She has though found a better path through the rules and restrictions laid down by the patriarchal society in which she lives than her fellow queens.  As the story evolves Penelope is proving to be just as wily and cunning as her renowned husband. While she manoeuvres men, playing them like chess pieces, and hiding her own involvement,  Helen employs a different sort of subterfuge. Subjected to her husband's beatings and repeated rapes, she hides her thoughts and feelings behind the cover of childishness and drunkenness, while biding her time for opportunities for revenge. Clytemnestra, throwing off any subterfuge, and openly taking a lover while her husband is absent was never going to succeed and live happily ever after; the rules of her world would never allow it.

I loved Ithaca with its story of the resilient, resourceful women of Ithaca, left behind to cope without their menfolk, and was just that little worried that House of Odysseus might not live up to it - but it did, possibly even surpassing it.

The Black Crescent by Jane Johnson

 

As a child in his native Moroccan mountain village, Hamou Badi stumbles across a corpse dumped unceremoniously by a dried-up river bed. It's a random event which influences his life, for his desire to give this dead person some dignity and justice leads him, later in life, to join the Surete, the police force of the French colonialists who rule the country. 

He hopes this way he can help people and make things better for them but as the 1950s progress, Moroccan demands for freedom become more violent and the French response increasingly aggressive and ruthless. Hamou is caught between the two, in a position which is rapidly becoming untenable.

It's also a love story, with Hamou finding himself in a similar quandary. His mother prefers the old traditional ways to make a match for her son - to talk to her neighbours, and find a suitable bride, whereas Hamou finds himself attracted to the daughter of his Casablanca neighbours, a modern relatively independent women, working as a nurse, and running dangerous errands at night.     

The Black Crescent is definitely a page-turner of a read, set in a period of comparatively recent history about which I suspect most readers will know little.  

With input from her Moroccan husband, the author has crafted an incredibly atmospheric novel capturing the sights of sounds of 1950s Morocco from ancient hill village where life seems quiet and almost unchanged in hundreds of years to the modern bustle of Casablanca, from the crowded older parts of the city where the poorest workers live, to the luxurious seaside villas of the French colonialists. 

The Witches of Vardø by Anya Bergman

 

Off the northern-most coast of Norway lies the small island of Vardø, site in the mid-seventeenth century of a notorious series of witch trials. Anya Bergman's novel brings us a fictional account of those times, seen from two points of view - that of wealthy Anna Rhodius, imprisoned in this remote fortress by her former lover, the King; and that of sixteen year ago fisherman's daughter, Ingeborg, whose mother is falsely accused of witchcraft. Ingeborg desperately wants to save her mother, and will go to any lengths to do so. Anna meanwhile is interested in protecting herself and negotiating a way to return to her former life. 

The numbers involved in the real trials were horrific (91 people executed over a period of years) but Bergman has reduced them to handful without losing any of the terror and helplessness that these women must have experienced. As is frequently the case, there's a trail of fear and misogyny behind the accusations - women denounced for 'seducing' married men, the local Sami people victimised for being 'different', anyone who vaguely steps beyond the rigid bounds of propriety being considered fair game. And the treatment of women in general, as totally subordinate to men, and threatened for voicing their own opinions, is unthinkable now.

Although I'd heard of many instances of witch-hunts, from Pendle to Salem, Scotland to Essex, I hadn't realised that the fervour for them had spread to Norway, apparently influenced by King James VI (Scotland) and I (England), and his writings on Daemonologie. Reading The Witches of Vardø led me off down a lot of wormholes, finding more about the historical events, and learning more about the remote landscape of its setting.

Manilla Press

The Witch and the Tsar by Olesya Salnikova Gilmore

Half-human, half-immortal, Yaga lives alone in the forest as she has done for centuries, only encountering people when they come seeking her herbal wisdom and magic charms. Then one day her seclusion is broken by the arrival of an old friend, Anastasia, wife of the Tsar Ivan, seeking help for a mysterious illness. To keep her safe, Yaga must return with her to Moscow, and immerse herself in the affairs of men.

In the city, she finds a ruler growing increasingly tyrannical, intent on crushing anyone who speaks against him, in the centre of a court full of rumours and intrigue. Ivan himself though is being manipulated by forces he couldn't begin to understand - immortal powers, treating Russia as a battleground for their own aims.

Set in 16th century Russia during the reign of Ivan the Terrible, this debut is an interesting mix of myth and history, giving a feminist twist to the scary stories of the witch Baba Yaga, creating a very human, relatable woman, and setting her within a firm historical perspective. 

The period of Russian history is a compete blank to me, so I found the depictions of Ivan's court and the wars which ravaged Eastern Europe fascinating (and found myself falling down a rabbit-hole of fact checking and discovering more via Google). Somehow though the whole meshing of historical and fantasy elements didn't quite work for me and the later part of the book failed to hold my attention as the earlier part had.

 

The Weather Woman by Sally Gardner

 Neva is born with an unusual ability - to predict the weather. At first she assumes everyone can do this, but as the frozen Thames ice starts to break under the frost fair of 1789, even little Neva can see that she's the only one to have foreseen the event. As she grows, she comes to understand how strange and unique her talent is. Using a mechanical figure made by her adoptive father, she disguises her abilities as being those of the automaton, the Weather Woman, and becomes a success in London's salons and soirees. 

But  Neva is frustrated that as a woman, she isn't taken seriously by the scientific experts of the day, and creates herself a male alias, Eugene Jonas, who can go where she can't. However, when Henri Denoue, an exiled French count, meets first Neva, then Eugene, he falls in love - perhaps with them both.

This is a lovely, fairly lightweight, but eminently readable, historical novel with a thread of fantasy or magic running through it. Neva's ability is never quite pinned down, but, as one of my daughters has a synaesthetic condition whereby she sees music as colours, that's rather how I understood Neva's visualising of clouds and colours. It doesn't quite matter to the plot which is one of thwarted romance, and adversaries who want to get hold of the Weather Woman for their own use. 

As with Gardner's teen/YA books, there's a fantastic capturing of the period. Neva is very different to Austen's heroines, or the marriageable daughters of Bridgerton, not wanting to settle quietly into marriage and child-bearing, but to further her scientific curiosity, and her story explores the difficulties facing her.

Contrasting with the quiet domestic setting of Neva's adoptive family, are the grand houses of the 'bon ton', dingy lawyers' offices, seedy boarding houses, with characters to match - in fact a whole slice of Regency London from the high to the low. 

Light Perpetual by Andrzej Sapkowski

This last book of Sapkowski's Hussite Trilogy, sees our hero, Reynevan, journeying across war torn Bohemia and Silesia in search of his true love Jutta of Apolda, who's been abducted and effectively imprisoned in a nunnery. It seems like a journey of 'one step forward, and two steps back', as Reynevan is sent in first one direction then another, following information about where Jutta might be being held, trying to avoid his enemies, being sent on missions which take him in the wrong direction, and ending up captured himself. Through it all though he holds true to his purpose, ever striving for news of Jutta,

Sapkowski is better known as the author of fantasy novels - The Witcher series - rather than historical,  and, although the Hussite trilogy is set firmly in central Europe during the wars of the early 15th century, there's more than a touch of fantasy about it; Reynevan uses magic in his work as a physician, or amulets to help him pass unnoticed; his arch-enemy, Grellenort, shape-changes between man and bird. So it should appeal to fans of both genres. Be warned, this isn't historical romance but a story set during times of war, and aiming for a level of realism, meaning there's a lot of violence and casual brutality. 

I've come to the series late, starting with the last book, but that didn't detract from my enjoyment, although some aspects are not totally clear at the beginning, and there seemed to be a plethora of characters - good and bad - to become acquainted with in the first few chapters. At over 600 pages, it's long - normal for fantasy novels, less so for historical (unless you're thinking of Wolf Hall) - but settle in for a long consuming read and you won't be disappointed.

The Crocodile Curse by Saviour Pirotta

 illustrated by Jo Lindley

Brothers Renni and Mahu, aided by their friend Princess Balaal  are off on adventures again. Renni has been working with his uncle decorating the interior of a tomb but the Pharaoh has decided alterations need to be made to the entranceway, so for a while Renni has nothing to do. Meanwhile floodwater has covered the land where Mahu grows his family's food. When it recedes, fertile black soil will be left for crops to flourish in, but for now Mahu has time on his hands. Balaal suggests they go on an a trip to Shedet, the city of Crocodiles, where the most sacred of the temple's crocodiles has died and is to be mummified.  

A fun journey soon turns more dangerous when among other visitors the friends spot Paser, Pharaoh's evil vizier. He's bound to be up to no good, but the three are determined to stop him, helped by a very unusual ibis.

This second book in the Nile Adventures series, following on from The Heart Scarab, reintroduces us to Ancient Egypt, and to the two brothers, Renni and Malu, and their friend Balaal. Since their father died, Malu, as the eldest, has to provide for his family, growing crops and fishing. Renni is quieter and more artistic and works as an apprentice to his uncle, helping with the decoration of the Pharaoh's tomb. In her own country, Balaal is a princess but she's come to the Black Land, Egypt, to discover more about its people and way of life. 

The Crocodile Curse is a book to entertain and educate.  It takes the three friends to Shedet and its temples dedicated to Sobek, the crocodile-headed god, and while young readers will find themselves caught up in their adventures, the background is full of informative facts about the culture and life of Ancient Egypt. It's a perfect tie-in to school KS2 history projects, helping to bring the past to life. Jo Lindley's black and white illustrations are full of slithery crocodiles, magnificent temples, and of course the three friends helping young readers to picture the scenes. 

Ithaca by Claire North

 Most of us are aware of the story of Odysseus, king of Ithaca, of the long years spent away from home - first in the siege at Troy, then at the mercy of gods and monsters as he tried to make his way home - but here is the story of the wife, and island, he left behind. 

Hardly more more than a girl when Odysseus left, Penelope has unobtrusively kept their island kingdom going. With all the able-bodied men following their king to war, farming, fishing, and trading have fallen to the women. Life has been quiet, but they survived. 

Now, with the majority of Greek warriors returned from Troy, Penelope faces new problems, finding herself besieged by self-proclaimed heroes determined to win her hand, and kingdom, while eating and drinking their way through her stores. At first convivial, their mood is turning nasty. What can Penelope do to keep the peace? One day, she hopes, Odysseus will return, but until then, on an island of women, old men, and inexperienced youths, who can defend her? 

There seems to be a re-awakened interest in Greek myths at the moment, with books from authors as varied as Natalie Haynes and Stephen Fry, but Ithaca I feel is the best I've read from the women's point of view. Told from the omniscient point of view of gossipy, sarcastic goddess, Hera, wife of Zeus, this is retelling with a feminist feel. How the left-at-home women actually coped while their men were away is something we can't know, but here Claire North offers an alternative to the meek-mannered version of Penelope of myth. Dealing with an unruly mob of suitors, the threat of pirates along Ithaca's coast, and the unexpected presence of a disgraced queen, Penelope proves herself to be as sly and cunning as Odysseus himself..

It's a change of mood for Claire North, whose previous novels have been more fantastical in nature, but a book I would definitely recommend.

The Wolf's Song by Saviour Pirotta

illustrated by Davide Ortu

Wolf, the Neolithic boy from the Orkney islands, has completed his journey to regain his precious amulet. Now it seems the only thing left to do is return to his home in the far north, and fulfill his dreams of becoming a shaman to help his people. But things aren't that simple. Being reunited with the amulet has brought strange dream-like visions of underwater creatures dying and being reborn, and when he is tempted to return to the temple of the Sleeping Goddess he unleashes her fury. Can he set things to right?

Fourth and last of this series set in prehistoric Britain and Europe, The Wolf's Song brings this story to a dramatic close. Wolf starts out from his home in Orkney as a young boy with aspirations to become a shaman, but with little knowledge of human nature or the wider world outside his island. On his journey, Wolf has traveled many, many miles, seen wondrous sights, and overcome numerous obstacles and challenges. Now he has at last gained the insight he needs to truly be a help to his people, but they are in physical danger. 

This has been a wonderful series, mixing nail-biting adventure with historic fact, and exploring problems and situations that are as relatable to today's readers as to the late Neolithic characters. It's a perfect read for the 7+ age group, whether they're learning about this period in school or not.

As with the previous books, the characters and atmosphere are captured by Davide Ortu's black and white illustrations. 

The previous books are - 

The Stolen Spear

The Whispering Stones

The Mysterious Island

 

Long Shadow by Olivia Atwater

A series of mysterious deaths is shocking Regency London. Eligible young ladies are dying in their sleep, and in the morning the western window is found open - leading some to speculate that faeries, particularly the cruel kind called sluagh, are responsible. 

Elias Wilder, Lord Sorcier of England, certainly believes this to be the case, but while he is willing to do battle with Lord Longshadow, the most important and powerful of the sluagh, he believes that his eighteen year old ward, Abigail, should not, and would, in fact, be safer in the faerie realm. 

Abigail does not agree, and sets off on her own investigation into the latest death - that of Miss Lucy Kendall - and encounters a strange young woman, dressed as a laundress, who is also searching for Lucy, or at least her ghost.

This is the second of Olivia Atwater's Regency Faerie Tales that I've read, and is again a delightful, whimsical mix of historical (lesbian) romance and faerie magic, with the extra twist of a murder mystery thrown in too. The main character, Abigail, is one of the Workhouse children rescued in Half a Soul, and here we find her a few years older, exploring her magical powers, and discovering love in a way that she feels is very unconventional, but which Mercy assures her has existed forever. 

Magic abounds, as you would expect in a story set partially in Faeryland. There are magical dances in Kensington Gardens, and ballgowns spun out of midnight, but just as Half A Soul had its darker side with explorations of the workhouse system and the apathy of most people towards its conditions, so too does Longshadow, with its look at our attitude towards death. There's the inevitable grief which turns even Lucy's stuck-up mother into someone deserving compassion, but alos Abigail and Mercy think differently about death itself. One maintaining that we should battle against it as long as possible; the other believing that there's a point as which enough is enough, and we should retire from life gracefully. It seems a slightly weird topic to encounter in what is to all intents a 'lightweight' story, but it gives depth and a contrast to the magical world of faery.

Half a Soul by Olivia Atwater

As a child, Dora Ettings wandered into Faerieland, and had half her soul stolen away. Since then she's only experienced emotions in a detached way. She feels neither fear not embarrassment, and doesn't see how falling in love would be remotely possible. 

Now, Dora's accompanying her cousin, Vanessa, to London in the hope of finding husbands for them both during the Season.  In polite society, say at a ball, Dora's curse makes her inclined to say or do the wrong thing, but when her aunt tries to pair her off with Albert Lowe, an eligible 'younger son' who helps as a doctor in the city's workhouses, Dora's lack of feeling proves invaluable; the dreadful conditions she encounters don't repulse her, and she's able to calmly assist when needed. This isn't, of course, what her aunt had planned. Nor is a close association with the Lord Sorcier, Elias Wilder, who she meets though Albert and his investigation into a mysterious sleeping sickness spreading among the workhouse children. 

I'd expected a light Regency Bridgerton-style romcom, with a hint of faerie magic, but found something with more grit. Yes, there are balls and romance, but there are also darker undercurrents which I think made it more compelling for me. On one hand, there's the dark world of Faerie which threatens to trap Dora, just as everything seems to be going well for her. On the other, the work of Albert and Elias among the poor exposes the very real conditions of 19th century workhouses, and also the lack of concern shown by much of society for anyone unfortunate enough to end up there. Neither Bridgerton nor Austen's works concern themselves much with the world beyond 'society', but here the reader is forced to see beyond the fancy ballgowns and marriage market, and encounter complacent attitudes which seem very common today.

I understand there are further books planned in this series, and I'm intrigued to discover what they're like. 

 

The Mysterious Island by Saviour Pirotta

 

illustrated by Davide Ortu

Wolf lives in the Neolithic Age on the islands of Orkney, off the north coast of Britain. He's no good at the things that matter to his family and fellow islanders - things like fishing, hunting, or minding sheep - but has at last discovered his place in life and how to help his people, by becoming a shaman. The village's current shaman is willing to help him, but the shaman's son, Rain, who has never really liked Wolf, wants to be the one to replace his father, and his ambition will stop at nothing. 

Now, Rain has stolen Wolf's precious amulet, and in an attempt to retrieve it Wolf and his friend Crow (a young female warrior) find themselves on a journey across seas and unknown lands to an island at the centre of the world. Along the way Wolf and Crow see caves filled with paintings, a mountain that shoots fire into the sky, and temples constructed by long-forgotten people, but the most important discovery comes from within Wolf himself; that forgiveness is better than retaliatory anger.

This third book in the Wolfsong series continues Wolf's story on the path to achieving his ambition of becoming a shaman, to help his people interpret the spirits around them, and to conquer the evil ones that live within him. Aimed at children aged 7 and over, it fits well with Key Stage 2 history, but is first and foremost an adventure story, full of dangers and wonders, bringing the past to life with characters and situations that children can relate to, aided as always by Davide Ortu's illustrations. 

Traitor in the Ice by K J Maitland

In the aftermath of the Gunpowder Plot, King James and his officials are looking to track down one of the perpetrators, perhaps even the mastermind behind the whole affair, who goes by the false name of Spero Pettingar, One of their agents is sent to investigate rumours that Pettingar may be in hiding at Battle Abbey, but is soon found dead, struck down and left to freeze in the dreadful cold. So Daniel Pursglove is despatched on the same mission - to infiltrate the household of Battle Abbey, home of Lady Magdalen Montague, a fervent Catholic and known supporter of priests and possible traitors - and to track down the murderer. 

Daniel finds a house of many secrets - a few hidden priests seems to be the least of them - and as with any secret of a dangerous nature people are prepared to kill to protect it. Daniel, obviously, has only his wits to help him solve the crime; no fingerprints or DNA, no minuscule spy cameras to catch people's movements, and it makes for a story that's very different to a modern thriller. The mix of fiction and historical fact is well done, with details such as Daniel's day-to-day role in the household, and the dire freezing winter of 1607 adding to the atmosphere and authenticity. 

This is the second 'outing' for Daniel Pursglove, and I think it's better to have read the first before this. There are a couple of initially confusing flashbacks to his past which I assume would make more sense if I'd read the books in order.

 

Cunning Women by Elizabeth Lee

Following from Francesca May's Wild And Wicked Things, we have another story about witchcraft, but of a rather different sort. Wild and Wicked Things is set in an alternative early twentieth century, and its witchcraft is of its time - very glamorous and full of temptation. Cunning Women is set three centuries earlier, when witchcraft was very much believed in, something to be feared and persecuted, and it's far more down to earth in setting and story.

Sarah Haworth and her family have had to leave their home after the death of her father. They now live in an abandoned house outside the village, and scrape together a living selling potions and cures, which has earned them a reputation as 'cunning women' or witches. Sarah's mother is inclined to encourage this label as she feels it gives them protection as the villagers live in fear of the illness and pain witches might cause; Sarah would just rather live a normal life, and is delighted when Daniel, the local farmer's son, becomes attracted to her, and gives her a job at the farm. 

Then, following a series of strange deaths, a new magistrate arrives, and his eye turns towards the 'cunning women'. Public opinion has turned against the Haworth family, with people seeking to settle old wrongs and grudges. Can Sarah manage to protect her family, and save her relationship with Daniel? In a world set against anyone practising witchcraft, where too many innocent women have already died for the offence, it seems unlikely.

In many ways, this is a familiar story - a historical tale of witchcraft, of seventeenth century persecution of anyone suspected of it, of the personal grudges leading to false accusations and deaths - and, although good enough, didn't enthrall me.

The Heart Scarab by Saviour Pirotta

 illustrated by Jo Lindley 

Saviour Pirotta is back with a new historical adventure series for children, this time set in Ancient Egypt, with brothers, Reni and Mahu as the main characters.

Renni is the younger, quieter and more thoughtful. He's learning to be an artist, helping his uncle Pepy decorate the tombs in the Valley of the Kings. His older brother Mahu is always full of schemes - often ones which get the brothers into trouble. He's interested in boats, fishing and hoping to one day find work on a ship that would take him to far distant places. To get such a job he'll need to bribe one of the crew, and his current plan is to steal something valuable from one of the tombs (or persuade Renni to) and barter it for an item of interest to a sailor. Things aren't as easy as Mahu claims. Renni is persuaded to enter the tomb of a dead general and steal a heart scarab placed on his chest but this is the beginning of the brothers' problems, for the Pharaoh's vizier also wants the heart scarab and will stop at nothing to get it. 

As with the author's previous 'Wolfsong' series set in the Neolithic period, this story mixes an exciting, maybe a little bit scary, plot with rich historical details; the first will engage younger readers, the second teach them about Ancient Egypt. Through the lives and adventures of Renni, Mahu and their friends, history is presented in a way to interest children. Pharaohs and their Gods can seem a little remote to the average 7 to 9 year old; experiencing that world through the eyes of  similar-aged children brings it to life. Everyday life probably didn't involve mummies coming back to life, or pursuing an enchanted thief through the corridors of a tomb, but this is definitely a story to entertain as much as it educates. 

There are black and white illustrations by Jo Lindley throughout to bring the characters and settings to life, and at the back a glossary of the more unusual words, notes on Gods and the locations of the story. As it's not all dull learning, the book ends with instructions for how to play the Ancient Egyptian board game of Senet.

Devotion by Hannah Kent

 Growing up in an Old Lutheran community in 19th century Prussia, Hanne finds herself out of step with the other teenage girls. While they seem happy with the domestic world awaiting them as wives and mothers, she regrets the passing of her childhood when she was allowed to run free in the fields and forests surrounding her home. Then a new family move to the area, and Hanne meets Thea; an unbreakable bond forming between the two.

Their community though is under threat; their particular form of worship no longer tolerated. So, when it becomes possible to emigrate to Australia, the village elders vote in favour of the idea. It's not a simple move. Long months of travel by barge to the coast, then ship lie ahead of them, and it isn't without its losses. 

It's difficult to describe this latest book by Hannah Kent without giving away much of the plot. I suppose put briefly it's a sapphic historical romance with supernatural elements, but that doesn't go anywhere towards acknowledging Kent's beautiful, lyrical prose, and vivid, intimate descriptions of nature, from German forests to Australian outback.

Hanne is truly at one with her surroundings, appearing to have a form of synaesthesia which allows her to experience the world differently; to hear actual music in the dripping of the rain, the swirling of storm clouds or the movement of stars, and even become part of living creatures. 

The story is, by turns, warm and raw, heartbreaking and filled with love, as Hanne and Thea's relationship is torn apart by death but still surviving in their hearts. My first five star book of the year, and one I'd heartily recommend.  

All The White Spaces by Ally Wilkes

Jo was always envious of older brothers Rufus and Francis; the freedom they were allowed while Jo had to stay at home, their shared plans for the future, particularly their intent to join an expedition to Antarctica led by famous explorer, James 'Australis' Randall. When Rufus and Francis are killed during the Great War, Jo resolves to take up their plan and journey south - even if that means stowing away.

As the expedition leaves any signs of civilisation behind, tension aboard the Fortitude increases. Despite his reputation, not everyone totally trusts him, and the weather conditions are not looking good with too much sea-ice for the time of year, but it's once the Ice proper is reached that things start to go really wrong. A fire forces the crew to leave the ship, taking sleds and heading for the base of a rival German expedition, but this is found empty, and seemingly haunted by ghosts which call men out onto the ice and into terrible danger.

Set in the early 20th century period of great Polar exploration, all The White Spaces is a story of self-discovery and -determination set against a backdrop of  icy wastes and encroaching horror. Arctic/Antarctic stories always have some sort of pull over me - the everlasting days of summer, the equally lengthy nights of winter, the necessity for self-reliance and courage against almost over-whelming odds. So naturally I loved this. The ice and its hazards, the gradually shortening days, the complete isolation are all brilliantly captured, and make the reader feel there in this last human outpost.

The horror is finely balanced - not too much left to the imagination, not too self-explanatory (for want of a better word). Maybe it grows from the men, from their deeply hidden fears or desires, or their memories of the horrors of war - maybe it truly is something lurking in that remote place - but the men's reactions to it feel honest and believable. 

It's a story for both readers of historical adventure and horror. From the historical perspective there are similarities with Shackleton's doomed frozen-in-the-ice expedition, whose outcome I half-expected this story to follow (it doesn't). In fiction, an obvious comparison is Dan Simmons' The Terror, and if you loved that, either in book or on TV, you'll love All The White Spaces, but I preferred this as it doesn't take a real-life mystery and add unnecessary 'make-believe' horror. That element is an integral part of All The White Spaces, and the story better balanced for it.

The Key in the Lock by Beth Underdown

 Ivy Boscawen is in mourning for the loss of her son Tim in the muddy, bloody trenches of the Great War. She can't reconcile herself to his death, take solace in his bravery or the serving of king and country, as confusion surrounds the event. At the same time, she's haunted by another tragic death which occurred years ago, before her marriage, when the grandson of local wealthy powder mill- and  land- owner - Tremain - was killed in a house fire. At the time, Ivy and the boy's father, Edward, acted together to bring about justice as they saw it, but as Ivy winds her way through memories of those awful long ago events, she comes to realise she may have been manipulated herself.

This haunting, atmospheric novel revolves, as you might expect, around 'the Key in the Lock' and, more importantly, who turned it and why. Time may have moved on from the night of the dreadful fire, but, particularly since her own son's death, Ivy is drawn back, going over events time and again, trying to order and rationalise the events of that time. She isn't quite an unreliable narrator but her personal view, her attraction and sympathy for some characters, and dislike of others, inevitably twist her perception of events. As the story unfolds on two timelines, the reader sees Ivy as a young, hopeful, romantic nineteen year old and the contrasting disillusioned middle-aged woman she's grown into. How she ended up so unhappily married is another mystery to unveil.

With its brooding air of mystery and secrets, the story really pulled me in, but overall I thought it was rather sad. There are so many wasted, unfulfilled lives - not just that of young William Tremain dying in the house fire, or Tim and so many others on the battlefield, but also of everyone affected by the lies and deceit spreading out from Tremain's residence.