review by Maryom
Set in the turbulent years of the 900s, when England as a country was more of a dream than reality, Dunstan is the story of a rather un-saintly saint, and of the part he played in these formative years. His life spanned the reign of seven English kings, from Æthelstan, the first to consider himself King of all Britain, to Ethelred; some considered him a friend and adviser; others saw him as a foe, one even banishing him overseas. But whether welcome at court in Winchester or not, Dunstan is always plotting and planning, furthering his own ends as much as the king's.
This is period of history I know little about - I think for many readers the time from Alfred the Great to William the Conqueror will be a blur - but, from this story of a man caught in the middle of it, it's as full of treachery, double dealing, and political machinations as you could imagine.
The story is told as the remembrances of an old man looking back on his long, tumultuous life, his achievements and mistakes, the part he played in history as builder of church monuments and adviser to kings. The portrait Iggulden paints of Dunstan is of a complex man. A younger son with few other prospects, he's drawn to the church more for the possibilities of power and learning, than any religious calling. Tales of miracles and visions surround him and Dunstan becomes Abbot of Glastonbury at an early age, spending much of his life building of monasteries and cathedrals. On the other hand, he's full of petty jealousies, not wanting anyone to stand in his way, holding grudges against those opposed to him, and paying them back with violence. He's not a man you'd want to get on the wrong side of!
It isn't the sort of book that I'd normally pick up but I've been watching The Last Kingdom on TV and as this is set a couple of generations or so later I was intrigued. There's some, though not a tremendous amount of, war and violence because of the nature of the times, but the story only really concerns itself with events Dunstan witnesses first hand, and as a man in holy orders he's not on the front line of every battle and skirmish. Dunstan brings the period to life in an enjoyable, readable way - and there are historical notes at the end if, like me, you want to know how the story compares to what really happened.
Maryom's review - 4 stars
Publisher - Michael Joseph
Genre - Adult historical fiction
Wednesday, 17 May 2017
Monday, 15 May 2017
The Photographer by Meike Ziervogel
review by Maryom
Based on the story of her grandparents, Meike's Ziervogel's latest novel returns to the scene of her first, Magda - Germany in the 1930s and '40s. This time though the focus is not on the Nazi elite, but on an 'average' couple - Trude and Albert.
They meet in 1933, and, despite Trude's mother's objections, after a whirlwind romance leave Germany to travel round Europe while Albert begins to make his mark as a photographer. With war approaching they return home to Pomerania in the east of Germany, but Albert is soon forced to join the army, and as the war sweeps first east then west, the family is separated by forces beyond their control.
Through this small family of mother, daughter, son-in-law, and grandson, we see the desperate hardships and heart-breaking decisions that faced many German families - to volunteer or try to avoid conscription, to remain in the family home or flee with only the minimum of clothing and mementos; it's a story that in many ways is being echoed today in other parts of the world.
So many war-time 'romances' end with the return of the soldier to a hero's welcome; the Photographer doesn't. Trude and Albert's story continues in the harsh environment of refugee camps, where they have to readjust, learn to love each other again, and Albert particularly has to forget the past few years and rediscover the person he was before. The horrors he's seen are largely unmentioned, but have obviously affected him; as he wanders around, picking up his camera but never ready to commit to actually taking a photograph, there's an almost unbearable sense of a man lost and not able to find his way back to 'normality'.
In length, the story is short - 170 pages - but it's not one to rush. Take your time, because every word counts. Ziervogel's prose is pared back, almost to a minimum, and leaves the reader to put in some effort. At times the motivation behind the characters' actions is left a little 'open', and the reader can maybe choose their own interpretation - for instance, one may see Trude's mother as an interfering busybody, another as a concerned, patriotic mother. I quite like this in a novel - the story isn't cast in stone, but can be re-interpreted according to my mood or influences outside the book.
Maryom's review - 5 stars
Publisher - Salt Publishing
Genre - Adult historical fiction, WW2,
Based on the story of her grandparents, Meike's Ziervogel's latest novel returns to the scene of her first, Magda - Germany in the 1930s and '40s. This time though the focus is not on the Nazi elite, but on an 'average' couple - Trude and Albert.
They meet in 1933, and, despite Trude's mother's objections, after a whirlwind romance leave Germany to travel round Europe while Albert begins to make his mark as a photographer. With war approaching they return home to Pomerania in the east of Germany, but Albert is soon forced to join the army, and as the war sweeps first east then west, the family is separated by forces beyond their control.
Through this small family of mother, daughter, son-in-law, and grandson, we see the desperate hardships and heart-breaking decisions that faced many German families - to volunteer or try to avoid conscription, to remain in the family home or flee with only the minimum of clothing and mementos; it's a story that in many ways is being echoed today in other parts of the world.
So many war-time 'romances' end with the return of the soldier to a hero's welcome; the Photographer doesn't. Trude and Albert's story continues in the harsh environment of refugee camps, where they have to readjust, learn to love each other again, and Albert particularly has to forget the past few years and rediscover the person he was before. The horrors he's seen are largely unmentioned, but have obviously affected him; as he wanders around, picking up his camera but never ready to commit to actually taking a photograph, there's an almost unbearable sense of a man lost and not able to find his way back to 'normality'.
In length, the story is short - 170 pages - but it's not one to rush. Take your time, because every word counts. Ziervogel's prose is pared back, almost to a minimum, and leaves the reader to put in some effort. At times the motivation behind the characters' actions is left a little 'open', and the reader can maybe choose their own interpretation - for instance, one may see Trude's mother as an interfering busybody, another as a concerned, patriotic mother. I quite like this in a novel - the story isn't cast in stone, but can be re-interpreted according to my mood or influences outside the book.
Maryom's review - 5 stars
Publisher - Salt Publishing
Genre - Adult historical fiction, WW2,
Friday, 12 May 2017
Unthology 9 - Edited by Ashley Stokes and Robin Jones
Review by The Mole
This, the latest, anthology feels like a deviation from the style of the earlier ones - but that doesn't lessen the quality of the collection or each of the stories in the group of 17.
We start with the atmospheric telling of a dream-like narration of a suicide by drowning - but within that we learn something of that has brought them to this.
The next tells of an old man's journey through life and his search for something from his childhood for one last time.
So the collection has what would normally be very dark theme - in fact "The End" would be an appropriate subtitle for this collection. But most of the stories aren't dark and they don't, in anyway shape or form, glamorise death.
As Linda Was Buying Tulips, About Time and Traffic are complete steps away from the theme and You May As Well Give Up Trying To Make Something Of Yourself makes you wonder and left me later thinking "What did happen there?".
My real favourite deals in life and death in a manner I've never read before and left me wondering about Ego and the Surgeon - In Rehearsal by Sarah Evans.
Each story can be read in a coffee break and give you something to think about and waiting for another cuppa.
The collection returns to suicide by drowning but the circle we have come does not fully close itself.
A really spellbinding collection of stories once again with appeal to even those of us who don't like dark themes.
Publisher - Unthank Books
Genre - Adult short story anthology
This, the latest, anthology feels like a deviation from the style of the earlier ones - but that doesn't lessen the quality of the collection or each of the stories in the group of 17.
We start with the atmospheric telling of a dream-like narration of a suicide by drowning - but within that we learn something of that has brought them to this.
The next tells of an old man's journey through life and his search for something from his childhood for one last time.
So the collection has what would normally be very dark theme - in fact "The End" would be an appropriate subtitle for this collection. But most of the stories aren't dark and they don't, in anyway shape or form, glamorise death.
As Linda Was Buying Tulips, About Time and Traffic are complete steps away from the theme and You May As Well Give Up Trying To Make Something Of Yourself makes you wonder and left me later thinking "What did happen there?".
My real favourite deals in life and death in a manner I've never read before and left me wondering about Ego and the Surgeon - In Rehearsal by Sarah Evans.
Each story can be read in a coffee break and give you something to think about and waiting for another cuppa.
The collection returns to suicide by drowning but the circle we have come does not fully close itself.
A really spellbinding collection of stories once again with appeal to even those of us who don't like dark themes.
Publisher - Unthank Books
Genre - Adult short story anthology
Labels:
Ashley Stokes,
Robin Jones,
short stories,
Unthank Books
Wednesday, 10 May 2017
We All Begin As Strangers by Harriet Cummings
review by Maryom
The quiet country town of Heathcote is being disturbed by rumours of someone sneaking into houses, sometimes even when the owners are at home. No one has seen this mysterious person, nick-named The Fox for his sneaky habits, and nothing has been stolen, but people report their possessions being moved, as if picked up and replaced in the wrong spot. In a small community where everyone knows their neighbours, it's a disquieting feeling. Then events escalate with the disappearance of Anna, a quiet young woman who lived alone, and everyone fears she's been abducted by The Fox. As the local police call in reinforcements, people hide indoors behind locked windows and chained doors, all fearing they might be the next victim ...
Set in the 1980s and inspired by real events of the time, We All Begin As Strangers is a really impressive debut. Although revolving around a crime, it isn't quite a crime novel, and although it's a psychological study of what goes on behind the net curtains of a small, fairly prosperous English town, is definitely isn't a psychological thriller. It's closer to Joanna Cannon's The Trouble with Goats and Sheep, or Jon McGregor's Reservoir 13, both of which use the whodunnit format to explore the relationships and secrets of a small community.
The story is told in the third person, with each of the four parts of the novel being told from a different character's point of view - that of Deloris, who's been married for only a year, but is finding the reality of married life doesn't live up to her hopes and expectations; Jim, the lay preacher who knew Anna through her help at the church, and is running from something shameful in his past; Brian, the local policeman, whose life revolves around caring for his older brother disabled in a freak accident; and Stan the supermarket manager, another person hiding a guilty secret. Anna herself, around whom everything revolves, remains an enigma - pleasant, kind, always busy with charity work, or helping at the church, well thought of by her neighbours, but not really close to any of them.
The author shows a real understanding of her characters' emotions and thoughts, their strengths or flaws, and brings them to life with care and sympathy - any or all feel like they could be your neighbours.
Maryom's review - 5 stars
Publisher - Orion Books
Genre - adult fiction
The quiet country town of Heathcote is being disturbed by rumours of someone sneaking into houses, sometimes even when the owners are at home. No one has seen this mysterious person, nick-named The Fox for his sneaky habits, and nothing has been stolen, but people report their possessions being moved, as if picked up and replaced in the wrong spot. In a small community where everyone knows their neighbours, it's a disquieting feeling. Then events escalate with the disappearance of Anna, a quiet young woman who lived alone, and everyone fears she's been abducted by The Fox. As the local police call in reinforcements, people hide indoors behind locked windows and chained doors, all fearing they might be the next victim ...
Set in the 1980s and inspired by real events of the time, We All Begin As Strangers is a really impressive debut. Although revolving around a crime, it isn't quite a crime novel, and although it's a psychological study of what goes on behind the net curtains of a small, fairly prosperous English town, is definitely isn't a psychological thriller. It's closer to Joanna Cannon's The Trouble with Goats and Sheep, or Jon McGregor's Reservoir 13, both of which use the whodunnit format to explore the relationships and secrets of a small community.
The story is told in the third person, with each of the four parts of the novel being told from a different character's point of view - that of Deloris, who's been married for only a year, but is finding the reality of married life doesn't live up to her hopes and expectations; Jim, the lay preacher who knew Anna through her help at the church, and is running from something shameful in his past; Brian, the local policeman, whose life revolves around caring for his older brother disabled in a freak accident; and Stan the supermarket manager, another person hiding a guilty secret. Anna herself, around whom everything revolves, remains an enigma - pleasant, kind, always busy with charity work, or helping at the church, well thought of by her neighbours, but not really close to any of them.
The author shows a real understanding of her characters' emotions and thoughts, their strengths or flaws, and brings them to life with care and sympathy - any or all feel like they could be your neighbours.
Maryom's review - 5 stars
Publisher - Orion Books
Genre - adult fiction
Monday, 8 May 2017
Spot the Mistake:Lands of Long Ago by Amanda Wood and Mike Jolley
illustrated by Frances Castle
"Would a Mayan warrior have worn a watch? Would a Viking have used a compass? Test your knowledge of history and spot 20 mistakes in every scene. Then, turn the page to discover if you were right and learn more fun facts about ancient civilisations, including the Ancient Greeks, the Ancient Egyptians, the Romans, the Mayans, the Vikings, and many more!"
review by Maryom
I know I'm not the target reader but I love this book!
It's split into ten sections, each covering a different period of time from the prehistoric Stone Age through the ancient civilisations of Egypt, Greece, Rome, China and central America to Medieval Knights, Vikings, the Mughal Empire in India and seventeenth century Caribbean Pirates just like Jack Sparrow! For each time period there's a double-page spread showing typical activities BUT there are mistakes. In each picture are twenty things which do not belong, and which the reader has to spot.
Now, I always find that there's something about a 'spot the mistake' game that drags me in, so obviously I had to try and spot them. Some were obvious - there were no cameras in Ancient Greece, and pirates didn't play on the beach making sandcastles - but there were some I didn't know - no chickens in Neolithic Britain or carrots in the time of the Pharaohs - and some sneaky ones that I couldn't find. Maybe you need sharper eyes than mine, but if you don't spot every mistake, don't worry; the answers are given on the next page, along with more interesting facts about the time period.
Every page has bright, colourful illustrations, and while children are looking at tham and trying to spot all the mistakes, they'll be learning about the past without really realising.
Publisher - Wide Eyed Editions
Genre - Non-fiction, history, children's 7+
"Would a Mayan warrior have worn a watch? Would a Viking have used a compass? Test your knowledge of history and spot 20 mistakes in every scene. Then, turn the page to discover if you were right and learn more fun facts about ancient civilisations, including the Ancient Greeks, the Ancient Egyptians, the Romans, the Mayans, the Vikings, and many more!"
review by Maryom
I know I'm not the target reader but I love this book!
It's split into ten sections, each covering a different period of time from the prehistoric Stone Age through the ancient civilisations of Egypt, Greece, Rome, China and central America to Medieval Knights, Vikings, the Mughal Empire in India and seventeenth century Caribbean Pirates just like Jack Sparrow! For each time period there's a double-page spread showing typical activities BUT there are mistakes. In each picture are twenty things which do not belong, and which the reader has to spot.
Now, I always find that there's something about a 'spot the mistake' game that drags me in, so obviously I had to try and spot them. Some were obvious - there were no cameras in Ancient Greece, and pirates didn't play on the beach making sandcastles - but there were some I didn't know - no chickens in Neolithic Britain or carrots in the time of the Pharaohs - and some sneaky ones that I couldn't find. Maybe you need sharper eyes than mine, but if you don't spot every mistake, don't worry; the answers are given on the next page, along with more interesting facts about the time period.
Every page has bright, colourful illustrations, and while children are looking at tham and trying to spot all the mistakes, they'll be learning about the past without really realising.
Publisher - Wide Eyed Editions
Genre - Non-fiction, history, children's 7+
Labels:
7+,
Amanda Wood,
Frances Castle,
history,
Mike Jolley,
non-fiction,
Wide Eyed Editions
Friday, 5 May 2017
The Wooden Camel by Wanuri Kahiu

illustrated by Manuela Adreani
review by Maryom
Etabo is too small to race camels, but he watches his brother racing and imagines it must feel like flying. One day, he's sure, he'll be better than his brother, possibly even the best camel racer ever. Times are hard for his family though. The cost of necessities like water is rising, and Etabo's father is forced to sell their camels. Left alone to look after the family gosts, Etabo can still dream ... but is it enough?
We can't always have what we want. Sometimes hopes and dreams have to be put on hold for a while - and waiting a month can seem like forever to a child. This universal story of keeping those dreams alive through imagination could have been set anywhere, but by choosing the dry desert of the north-west of her native Kenya, Wanuri Kahiu introduces children to a life very different to their own. Here we expect to turn on a tap and fill our glasses and mugs with clean water for 'free'; to live in a place where such a necessity can become almost too expensive to buy seems shocking, but sadly this is the case in many areas of the world. Children won't realise they're learning about the world though, they'll be caught up in Etabo's story, and wondering how he will follow his dreams.
Illustrator Manuela Adreani brings Etabo's world to life in colourful full page spreads that capture the arid heat, dry sandy ground, and, of course, the swiftness of camels.
The Wooden Camel is a lovely book which emphasises that no matter how different our lives may be we all have dreams, and through our imagination can pursue them.
Publisher - Lantana
genre - children's picture book,
Labels:
5+,
children's,
Lantana Publishing,
Manuela Adreani,
picture book,
Wanuri Kahiu
Wednesday, 3 May 2017
Author event - Robin Hobb
US fantasy author Robin Hobb (aka Megan Lindholm) is here in the UK at the moment promoting her latest book, and last in the long-running Fitz and the Fool series, Assassin's Fate, and last night she was at Nottingham Waterstones to talk to a packed room.
As you can see, we were right at the back, so please excuse the blurry photos!
I'm a relative new-comer to the world of Fitz and the Fool. Although I read the first Rain Wild chronicle a few years ago, I really got into the Farseer world when I read Assassin's Apprentice, last December. I'd hoped to read the whole series before publication date of Assassin's Fate came around, but that plan hasn't really worked - I'm only on the fifth book, The Mad Ship. I have, though, become a great fan, and my new resolve is to finish them all before paperback publication of Assassin's Fate (so, in a way, I'm hoping that's many months away)
Robin opened last night's event by reading from Assassin's Fate and, although I didn't really know the characters and their circumstances, I could glean enough to guess some of the plot developments between where I've reached and this final instalment. I was left with a dilemma - part of me wants to jump ahead, and see how everything ends, then go back and take things slowly through the series; the other part thinks I should read each book in turn with no jumping ahead and plot spoilers. I'll probably go for the traditional, sequential route but try to avoid that desire to 'know how it all ends', which can cause me to rush.I don't usually bother about the actual physical appearance of a book - after all the story inside is the most important aspect, the cover just a way to keep the pages together - but this one, from a painting by Jackie Morris, is something really special. So gorgeous, in fact that I'd almost frame it and hang it on the wall!
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