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Friday, 27 March 2020

Hamnet by Maggie O'Farrell



TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.

On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London. Neither parent knows that one of the children will not survive the week.
Hamnet is a novel inspired by the son of a famous playwright. It is a story of the bond between twins, and of a marriage pushed to the brink by grief. It is also the story of a kestrel and its mistress; flea that boards a ship in Alexandria; and a glovemaker's son who flouts convention in pursuit of the woman he loves. Above all, it is a tender and unforgettable reimagining of a boy whose life has been all but forgotten, but whose name was given to one of the most celebrated plays ever written.






William Shakespeare has to be England's best known playwright - four hundred years later his plays are still performed regularly, and he's there in every other English and drama lesson at school. Probably few of us know anything about the man himself though, his private life, and the loss which (some scholars say) lies behind his finest play Hamlet. This is where Maggie O'Farrell's first venture into historical fiction takes us - into the annex, next to his parents' house where Will and Agnes live (though he spends most of his time in London) with their son and two daughters, and where tragedy is waiting to strike.

This latest work of Maggie O'Farrell's brings all the empathy and understanding that I've found in her previous work and applies them to the Shakespeare family. As the hours tick down, as Judith takes to her bed feeling ill, and her brother Hamnet desperately tries to find his mother, another thread moves back to the first meeting of Will and Agnes, their passionate love affair and rather pressing marriage, and the bond which has kept them together even though Will has fallen in love again - this time with the theatre.

O'Farrell captures the period and the characters brilliantly. The reader is right there, alongside the women collecting eggs, tending to herb beds, and making tinctures and ointments ready for times of need, with the children trying to skip their chores and play instead, following after them round the house and garden or sneaking into the adjoining workshop of Shakespeare's father, where furs and skins are turned into gloves, from the plain serviceable pairs to the fashionable finery aimed more at show than hard wear.

Then lives are stopped by tragedy and all-encompassing grief - and O'Farrell is spot on in its description. I've lost family members over the past couple of years, and I felt that here I'd found someone who knew the emptiness and immense feeling of loss, who understood how I've felt for months, and could put it into words for me.

This is possibly O'Farrell's best work (to date, who knows what will come next?) but it just seems unfortunately timed. I think for some readers, as we head into months with corona virus dominating our lives, it may just be a little too close to home.

Maryom's review - 5 stars
Publisher - 
 Tinder Press
Genre - 
Adult historical fiction,

Tuesday, 10 March 2020

You Never Told Me by Sarah Jasmon


Charlie is on the far side of the world, running away from a life she's found increasingly stifling, when she's told her mother is seriously ill. Before Charlie can return home, her mother has died, but the past in its various guises is there waiting to be faced up to - the boyfriend she left only a few months before their wedding, the dog she had to abandon, her sister left juggling the care of young children and elderly parents. Charlie's mother has also left unfinished business behind - unknown to her family, she'd bought a canal boat; a link to her own past, and secrets that had been hidden for years.

Having nowhere else to live, Charlie moves into the boat, and finds herself drawn irresistibly on a voyage of discovery - learning the practicalities of canal life alongside the story of her mother's unknown early life.

You Never Told Me is an enjoyable and intriguing tale of self-discovery and family secrets, set on the semi-hidden world of northern England's waterways. The various threads of the story -  twist round and complement each other well. As her confidence in handling the boat and coping with life on the canal increases, so does Charlie's faith in herself and her ability to make decisions rather than just run from them. At the same time, she uncovering aspects of her mother's life which have never been talked about. Most of us probably dismiss parents as just that - parents - with no life or feelings before they gained that status; most of them fortunately don't have such tremendous secrets from us.

I found the whole description of canal life fascinating. I've walked alongside them often (including Bugsworth Basin which gets a mention in the book), stood at locks and watched boats move up and down, but never actually tried my hand at doing any of it. I'm not sure I'd actually be much help on a canal boat - I'd probably fall in the water - but it's nice to dream  ...




Maryom's review - 4 stars
Genre - adult fiction,

Thursday, 5 March 2020

Dominicana by Angie Cruz

Review by The Mole

A young girl has a husband chosen for her by her mother who sees the marriage as a way for the family to enter the USA. This is how Ana finds herself 'married' to a man twice her age and living in New York at the age of 15. Ana has undergone a huge cultural shock and does not believe she can love her 'husband', who she finds herself afraid of.

I had a PDF version of this book which I read on my phone but... despite the formatting issues that this creates I found it extremely engaging and surprising.

The author interviewed generations of Dominicans and compiled this novel (for that's what this is) from bits and pieces of accounts that she picked up from family and friends of the family - so it is not entirely fiction.

The sacrifices that Ana makes to her family came as a shock to me - one that became more concerning when reading the final author's notes to explain the book.

I didn't love this book - because that feels like condoning the behaviour of everyone involved. I did find it fascinating and extremely disturbing. Well worth a read by anyone.

This has now been long listed for THE WOMEN'S PRIZE FOR FICTION 2020 and it's a book well worthy of going further.

It's not a huge tome so won't take forever to read but it's well written and powerful.

Publisher: John Murray
Genre: Adult fiction

Thursday, 27 February 2020

We Wait by Megan Taylor

"The wealthy Crawleys can’t abide a scandal, so when fifteen-year-old Maddie’s behaviour causes concern, she’s packed off to the family’s country estate, along with her best friend, Ellie. But while Maddie is resentful, Ellie is secretly thrilled.  A whole summer at Greywater House, which she’s heard so much about – and with Maddie, who she adores…
But from the moment the girls arrive, it’s clear there’s more to the house and the family than Ellie could ever have imagined.  Maddie’s aunt, Natalie, and her bedridden grandmother are far from welcoming – and something has been waiting at Greywaters, something that flits among the shadows and whispers in the night.
As the July heat rises and the girls’ relationship intensifies, the house’s ghosts can’t be contained, and it isn’t just Ellie who has reason to be afraid.  Three generations of the Crawley family must face their secrets when past and present violently collide."

Ghost stories have a tradition of belonging to the long dark nights of winter, but here Megan Taylor turns things around, setting this tale in the baking heat of summer.  While ghosts whisper from within the walls of the Greywater House, the oppressive atmosphere builds; like the release that thunder brings, something at Greywater is getting ready to burst. And as the two teens are drawn irresistibly to each other, Maddie's aunt Natalie remembers her own youth, and the dreadful events that shaped her life. 

We Wait is a story of family secrets, with a terrific brooding atmosphere. It maybe falls somewhere between ghost story and psychological thriller, or maybe it's both combined. Evil just drips from the old house, and you know something horrific is going to occur. Great for lovers of both genres



Tuesday, 25 February 2020

Snow, Dog, Foot by Claudio Morandini

translated by J Ockenden

Adelmo Farandola lives up in the mountains, as far away from other people as he can get - nearly at the summit in summer, further down in winter when snow and avalanches keep everyone else away. Once, maybe twice, a year he'll descend to the village below to stock up on food and wine, otherwise he prefers to be alone. If any enthusiastic hikers stumble upon him, he shoos them away, sometimes physically. The only person he sees regularly is the young mountain ranger who insists on stopping to chat, and who Adelmo believes is spying on him.
This winter though, he'll have company - a stray dog who won't be frightened away. As the snow falls and covers Adelmo's hut completely, the two huddle up inside to wait for spring, but when it eventually arrives and the snow begins to melt a gruesome discovery awaits them.

The first of Peirene's 'Closed Universe' series, Snow, Dog, Foot is an uncomfortable read, exploring the affects of self-imposed isolation on the mind and habits of an elderly man. 

Throughout the book, I found my response to Adelmo himself changing, feeling variously curious, repelled, sympathetic, as his life was slowly revealed. At first he seems a mildly eccentric, somewhat cantankerous, old man, just trying to maintain the self sufficient way of life lived by his forebears. His chosen place has enough for his simple needs; his hut was built in a spot proved to be safe from avalanches, there's an orchard nearby where he grows apples, a plot for potatoes, and a pasture where he once kept cows. Forget Heidi's Alm-Uncle, though; this isn't some pastoral idyll. Adelmo once lived in the village, and has retreated further and further up the mountain in an attempt to escape a long ago trauma. As his interactions with his fellow men have become less frequent, isolation has taken a toll on his memory, his grasp on reality has slipped, and life become one of almost feral animal existence, barely more civilised than that of the grudgingly-adopted dog.
With the uncovering of a human foot as the snow slowly retreats, Adelmo's state of mind finally slips, muddling current events with those of the war, and his story moves to a dreadful, devastating close. The final image isn't one which is easily forgotten.





Maryom's review - 5 stars
Publisher - Peirene Press

Genre - Adult Literary Translated Fiction



Tuesday, 18 February 2020

The Other Bennet Sister by Janice Hadlow



Whether it's from multiple readings of the book or casual watching of TV and film adaptations, most of us know Jane Austen's story of the Bennet family of Longbourn; of Mrs Bennet's desperate ploys to marry off her five daughters, of the happy-ever-after romances of elder sisters Jane and Elizabeth, and the wild, impetuous, embarrassing (totally teenage) behaviour of youngest sisters, Lydia.and Kitty. But what about the middle sister, Mary?

In any other family Mary Bennet would have been considered, if not pretty, at least attractive, but with four sisters - beautiful, witty, vivacious, or just younger -  she's overlooked by family, friends and, most importantly, any young men she meets as the dull, plain one. Snubbed, she turns to books for solace and improvement - not the fiction loved by her mother, but serious moral, philosophical  works - and in a vicious circle finds herself to be more of an oddity than ever

In The Other Bennet Sister, Janice Hadlow revisits the familiar events in Longbourn from a new perspective - that of 'middle' sister Mary. She's dismissed by her family as dull, boring, prim, She looks set for life as a spinster. But with her sisters married Mary gradually starts to come into her own. Mary is now 'allowed' a romance of her own - and even a choice of suitors; a young eligible gentleman who seems a perfect match and a tempting alternative who might just prove to be incredibly wrong for her.


There are a lot of Pride and Prejudice spin-off novels and films (and I'm a sucker for them) - some work, some don't. This definitely does. The setting remains Austen's Regency England, and for the most part Hadlow captures the style and feel of Austen's original work. Where it differs is in following marriages past the wedding ceremony, and in exploring the restricted options open to the un-married gentlewoman of limited means. In Austen's world it's taken as read that a young lady should marry, but not much thought is given to the alternative. As Charlotte Lucas outlines to Mary Bennet what the future of an 'old maid' looks like, we can see why she herself was so eager to grasp her chance of marrying, even when the prospective groom was Mr Collins.


I suspect few Austen fans would agree wholeheartedly in their interpretation of, say, Mr Bennet's attitude to his family, Mrs Bennet's obsession with marrying her daughters to the richest men available, or the hasty marriage of Charlotte Lucas and Mr Collins, but an author taking these characters and giving them life beyond the original text has to pick an interpretation and stick to it - and it may not coincide with yours. Personally I felt Mr Bennet, and even Lizzie, were dealt with a little harshly - though, of course, I've previously only seen them from Lizzie's biased viewpoint - and a few words from Caroline Bingley throw the whole view of the Elizabeth/Darcy romance on its head, when she says that in feigning disinterest, Lizzie couldn't have played him better.

All in all this is an excellent addition to the works inspired by Pride and Prejudice. I loved it, and would definitely recommend unless you're an Austen purist.

Maryom's review - 5 stars
Publisher - 
Mantle (Panmacmillan)

Genre - adu
lt fiction, Jane Austen 

Friday, 7 February 2020

The Lady of the Lake by Andrzej Sapkowski

translated by David French

"After walking through a portal in the Tower of the Swallow, thus narrowly escaping death, the Witcher girl, Ciri, finds herself in a completely different world... a world of the Elves. She is trapped with no way out. Time does not seem to exist and there are no obvious borders or portals to cross back into her home world.
But this is Ciri, the child of prophecy, and she will not be defeated. She knows she must escape to finally rejoin the Witcher, Geralt, and his companions - and also to try to conquer her worst nightmare. Leo Bonhart, the man who chased, wounded and tortured Ciri, is still on her trail. And the world is still at war."

===================




A long while ago (2015)  I read my first introduction to the world of The Witcher - Sword of Destiny - and really enjoyed it, and promised myself that I'd read more of the series, so a couple of years later when I saw The Lady of the Lake come up on Netgalley review site I grabbed it. Unfortunately the gap between reading the first book and the second was too long, and I couldn't remember characters clearly, their story-lines or how they related to each other, and so I abandoned the book.

Roll on a few more years, and Netflix have turned The Witcher into a tv series which I watched avidly over Christmas. Eight episodes wasn't enough for me, so I've returned to this neglected book. Now having a better grasp of The Witcher's world, I could comparatively easily slip back into it - I knew more about Geralt, Yennefer, and Ciri, and how their stories fitted together, I'd realised that Jaskier of the Netflix series was called Dandelion in the books (it's a translation issue; Jaskier means 'buttercup' which wasn't considered quite right for the character). The Lady of the Lake doesn't however follow on from the tv series, in fact is the final book, so don't go reading it if you like a story to develop sequentially. I don't mind too much with an epic multi-book series; I like to know who lives happily ever after, that the bad guys get their comeuppance, and then go back and slowly read how it all came about. 

Another thing I'd become used to on the Netfix show was the story jumping about in time and in viewpoint. The publisher's blurb above puts the emphasis on Ciri's story, but while she's trying to escape from the Elves, Yennefer is being held captive elsewhere, and Geralt and his companions are passing the winter in the kingdom of Toussaint, and in some uncertain future time two sorceresses, Nimue and Condwiramurs, are trying to unravel Ciri's story through dreams. Somehow Sapkowski manages to juggle all these elements (and a few shorter-lived threads) and keep the story moving as a cohesive whole, heading towards a grand finale for the series.

There's a compelling mix of fantasy and folk tales, with complex characters who feel emotionally fleshed-out and 'real', and scenes like the doctors struggling to save lives on a battlefield that, bar their obvious use of sorcery, could fit neatly into any historical drama.

The world created by Sapkowski intrigued me when I first read Sword of Destiny, now I'd definitely like to explore it further.





Maryom's review - 4.5 stars 
Publisher - Gollancz
Genre - Fantasy