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Showing posts with label Tiffany Murray. Show all posts
Showing posts with label Tiffany Murray. Show all posts

Friday, 30 October 2015

Sugar Hall by Tiffany Murray - re-read

review by Maryom

In the run up to Halloween publisher Seren Books have been holding a read-a-long of Tiffany Murray's Sugar Hall  - one of the few ghost/horror stories that actually sent shivers down my spine and at times terrified me - so I had to join in! I find a lot of scary stories miss their mark with me - either falling flat or turning to comedy in their desperate attempts to frighten - Sugar Hall didn't.
I thought re-reading a ghost story might be a bit like going back to a crime novel, you know what will happen, all the plot twists, how it ends ...... so how did it go?  Well, actually I found it more terrifying than before ....

Lilia Sugar and her two children have moved from London to her late husband's family home Sugar Hall. It's a place full of secrets, built with money from slave and sugar trade, and it's haunted by one of those slaves - a young boy who saw his mother buried alive, and was then killed by his owner.

On the very first page we meet the ghost -  Lilia's son Dieter is fleeing from something he's seen; he knows it's a ghost, the reader knows it's a ghost but his mother and sister dismiss it as a figment of imagination or an attention-grabbing story. Dieter is lonely, he decides to make friends with the ghost, and, even at the first reading, the reader just knows no good will come of it. Dieter is both attracted and repelled by this slave boy; knows at heart that he should resist him but can't. First time through, I was hooked, wondering what would happen next; this time, knowing what would happen, I was horrified. I just wanted to shake his mother and say "Look at what's happening around you! Do something while you can!" But of course, I couldn't, and the whole ghastly tale reeled out again like a slow-motion car crash.
In some ways it seemed there was more time to 'look around' at the rest of the story, to see the other characters as more than just supporting the main plot. Lilia's story - her flight from Germany just before world war two, her relationships with the men in her life, her barely acknowledged dislike of her daughter - grabbed me more, because I was happy to be distracted from Dieter's growing dependence on the ghost.


It certainly lived up to the horror I'd felt first time .....maybe next year I'll read it again....


Maryom's review - 5 stars
Publisher -
Seren Books
Genre -
adult horror ghost story

Friday, 19 June 2015

Diamond Star Halo by Tiffany Murray

review by Maryom


1977 was a big year for Halo Llewelyn of Rockfarm recording studios hidden in the Welsh countryside - a year in which the world changed; the Queen celebrated her Jubilee, Elvis died, Halo's brother Vincent discovered punk, but most importantly, it was the year Fred Connor entered her life. Even in Halo's world of visiting rock stars, Fred is special; the son of two members of American group Tequila, left behind as a new born baby when the band move on, he grows up alongside the Llewelyn children but is always more than a brother to Halo. Like a modern day Cathy and Heathcliff, Halo and Fred are entwined from childhood, irresistibly drawn together yet pulled apart by circumstances.



 For me this book is one of those wonderful serendipitous finds that come through book blogging. Late last year I read Tiffany Murray's Sugar Hall and loved its sheer creepiness - it's one of the few ghost stories that has truly sent shivers down my spine, and I wanted to read more by the author so when a copy of Diamond Star halo came my way I was delighted.
 At the novel's heart is the flawed love of Halo and Fred. Fred is a typical charismatic bad boy flawed hero; no one can resist his charms - and he knows it, and plays it for all he's worth. Halo meanwhile is hopelessly in love with him; although not related, they've been brought up so closely as brother and sister, that any other relationship seems wrong.
 But Diamond Star Halo is more than just their story; it belongs to all the Llewelyns of Rockfarm. Told in the first person, Halo's narrative roams backwards and forwards, through her life, her parents', and back to her Nana's brothers and the despised ancestral "English Bastards". It isn't a ghost story by any stretch of the imagination but it does still have that feeling of the layers of the past building up around a particular place; of a house which still holds echoes of those who lived there in previous generations; of past tragedies which still cast a shadow.
 Halo's whole world captivated me - a mix of rock star glamour and playing half-wild in the fields and woods around the farm - filled with characters like her slightly witchy-Nana with her 'capel' of bones and healing herbs and brews, or Halo's parents consumed by a passion which they thought could conquer everything.

A story of 'crazy love' that breaks the rules, an exploration of the ties of family and home, a coming of age novel, a family epic ranging over three generations; there's a bit of all these in Diamond Star Halo, and I loved each of them. 

 Maryom's review -  5 stars
Publisher - Portobello Books
Genre - adult,

Shortlisted for the Bollinger/Wodehouse Prize



Monday, 1 June 2015

Hay Festival - author event - Tiffany Murray and David Mitchell

We're just back from a couple of days away in Wales, including a brief visit to Hay Festival  where I caught the late night event Halloween Comes Early with authors Tiffany Murray and David Mitchell, and chaired by Rosie Goldsmith. As you probably expected with that title, the event was all about ghost stories -

Published last year, Tiffany Murray's Sugar Hall is the spine-tingling tale of a young boy, Dieter, newly moved to the old family home on the English/Welsh border, who encounters the ghost of another young boy - once a slave in the house. Although terrified, Dieter is drawn back and makes friends with him - but as the ghostly boy grows in substance it's obvious that his intentions are evil. I don't normally get on well with ghost stories but this had me hooked - and terrified of what would happen as the story unfolded.


David Mitchell, author of Cloud Atlas and The Bone Clocks, will have his own ghostly book, Slade House, out in October. Down narrow, dark Slade Alley is a small black door that leads into a garden that doesn't quite make sense - Tardis-like it seems too large inside for the space it occupies. Every nine years, on the last Saturday of October, a guest enters, but why have they been chosen and by whom....This was the first 'outing' for Slade House so we audience members were very privileged to hear the author read from the opening chapter.

Both authors have themselves had, if not visits from ghosts, than certainly spooky things happen around them - doors which were locked at night were always found open in the morning, and a presence sitting at the end of the bed. The original inspiration for Sugar Hall itself came from a story of a local haunted house which Tiffany Murray was told as a child.
It's always interesting to hear authors themselves read from their books - often it's only a small snippet but this time both authors read much longer sections. The Starlight Stage was an ideal setting for such an event with the twinkling lights in the ceiling dimmed to create the right eerie atmosphere as we heard the opening chapters of these two books, the stories of two small boys, one encountering a ghost, one discovering a beautiful but strange garden.


Monday, 22 December 2014

Maryom's Picks of the Year - 2014

 Last year I couldn't cut my 'picks of the year' down to a small selection at all. This year, I'm being more ruthless and from an extensive longlist I've chosen a Top Twelve.....

I think there's a tendency to pick more recently read books for a list like this but, just to prove there are exceptions, top of my list is the first book I reviewed this year - Donal Ryan's The Thing About December The heart-breaking story of gentle but dim-witted Johnsey Cunliffe is played out over a year, a chapter for each month, leading to the climax in December; an immensely sad but compelling read.




Sticking with the grim side of life, and another book from early in the year - Cynan Jones' The Dig charts a clash of wills and lifestyles between Daniel, a farmer committed to his land and animals, and an anonymous badger-baiter, earning his living through cruelty. It's raw and bleak, a definite eye-opener for anyone who thinks the countryside is a rural idyll.







In A History of Loneliness John Boyne tackles the fallout from the paedophile scandals that rocked the Catholic Church in Ireland. Father Odran Yates has been a priest for forty years, has tried to live a good, blameless life, ignoring the abuses of power taking place around him, but now has to face up to his niggling conscience.






Carys Bray's debut novel, A Song For Issy Bradley, is about loss, hope, faith and family as a Mormon family face up to probably the most devastating thing that can happen - the death of a child. Ian and Claire, and teenage children Zippy and Alma struggle with their faith and their loss; only 7 year old Jacob can see an answer - to work a miracle and bring Issy back. Ultimately hopeful and life-affirming, there are without doubt some dreadfully dark moments but they're balanced by light, humour and love.






  Another family - this time the Saddeqs from Lahore in Pakistan. Roopa Farooki's The Good Children explores the complex relationships within this family- between children and parents, and between children themselves - as they grow up, spread their wings, leave home for England or the US, but always feel that tug that binds them together. It's grand in scale - moving from the1940s to the present day - and size - 620 pages, though it didn't feel a page too long.




I struggle to find ghost stories that scare me, so I was oddly delighted to stumble across this - Sugar Hall by Tiffany Murray. While his mother makes plans for a new life in the old family home, Dieter, the boy-heir, encounters a strange ghostly boy with evil designs. With a growing feeling of menace, this is a truly spine-chilling read, probably best avoided late at night.





 Another debut, this time an excellent sci-fi dystopian thriller. Tomorrow and Tomorrow follows grief-consumed Dominic as he wanders through the virtual archive that brings nuclear-blast destroyed Pittsburgh and its inhabitants back to life.  Not-too-distant future dystopia with TV-like 'adware' that constantly streams news, adverts and reality TV style porn direct into the brain, a destroyed city recreated in virtual form, a twisting turning thriller and grief-struck hero combine to create a wonderful, complex story.



 The Lemon Grove by Helen Walsh could easily have been just another tale of sun, sea and illicit sex but it's so much more; a perceptive portrait of a family reaching a turning point in their lives, a marriage that's a little too stale, and a woman seeking to re-gain her lost youth by tumbling heads over heels in lust with a hot 17 year old. I absolutely loved it.




The storyline to Hamid Ismailov's The Dead Lake reads almost like a fairy tale - a young boy ventures into a forbidden lake and is cursed for life - but the evil wizard here is the Russian government and the lake has been polluted by atomic testing. The first of Peirene's 2014 Coming of Age series deals with a boy who doesn't grow up, and a whole region caught, literally and figuratively, in the fallout from the arms race. Told in plain, straightforward prose, it's a tale to make your heart ache.






I've read a lot of crime novels over the year but this was my favourite. The fourth of Sharon Bolton's Lacey Flint series, A Dark and Twisted Tide, is set among the old wharfs and  abandoned warehouses of London. A complex story that developed in unforeseen ways, with the story told from multiple points of view and a timeline that jumps backwards and forwards. It's only at the very end that everything comes together - and in a totally unexpected way.







...and to round off my list two rather different 'lighter' reads...

First, something very dark and wicked - Lizzie Prain finds an unusual way to dispose of her husband's dead body as she lovingly cooks her way through his remains in Season To Taste or How To Eat Your Husband. Natalie Young's humour is dark and twisted - think Sweeney Todd meets Desperate Housewives - and not for the squeamish.





Last, not least but certainly the lightest of my list, another debut - from actor Sara Crowe. Campari for Breakfast is a delightfully quirky coming of age tale about finding love and finding oneself. There are family secrets to be unearthed and a ghostly visitor to be braved, while the house threatens to crumble down and desperate ways are sought to save it. I absolutely adored this. It's light, funny and sad by turns, but overwhelmingly full of 17 year old heroine Sue's belief that one day she'll find love and begin to live decadently, sipping campari for breakfast!







Not really eligible for this list were some really amazing books published in previous years; Andrea Levy's Small Island, George Mackay Brown's Greenvoe, and Roopa Farooki's The Flying Man


Wednesday, 19 November 2014

Sugar Hall by Tiffany Murray

review by Maryom

 Following the death of his father, young Dieter Sugar is now the heir of the rambling family home, Sugar Hall, on the English/Welsh border within sight of the river Severn. Left penniless, his mother Lilia decides the best thing to do is move from London to Sugar Hall, to see if it's possible to live there with her two children, selling off family heirlooms and valuables as necessary. More things have been inherited though than bricks and mortar or works of art....
 Exploring the grounds and outbuildings of his new home, Dieter meets a silent boy wearing nothing but a silver collar. At first he's terrified but still something drags him back, and he decides he and the boy will be friends; Dieter finds him clothes and food, and the boy grows in size and substance, begins to speak and lead Dieter off on dangerous games....

Now, I don't usually get on well with ghost stories written for adults - they either fall flat for me and aren't scary at all, or go too far the other direction ending up so over the top they're comic. So, since reading Chris Priestley's The Dead of Winter , a 'teen' book, and Michelle Paver's Dark Matter, I've being searching for another ghost story that truly sent the shivers up and down my spine - and I'm happy to say I've found it at last.
There's no doubt that right from the start we're dealing with ghosts at Sugar Hall - Dieter's terror on the first page convinces the reader of that, even if his family don't realise. The hook here is what horror will this ghostly boy unleash on the family?

The house itself is the perfect setting for a horror story; it's meant to be lived in by a large family with an even larger staff, so, with only three people there, it's spooky enough on its own. There are too many rooms, filled with disused furniture, stuffed animals and collections of pinned-down butterflies and moths; furniture and ornaments seem to move about of their own volition; odd noises are heard at night; the giant moths on the wallpaper seem to flutter in the lamplight; - there's no wonder that Lilia decides everyone is best sleeping in one bedroom!
Part of what I loved was that it's not just a 'simple' ghost story. There are hints at how the money behind Sugar Hall was made, with glimpses of the desperate lives of its slaves,while in its 'current' timeline, there's the buzz surrounding the trial and death of Ruth Ellis. Lilia, having already built a new life in England as part of the Kindertransport, is trying to build another after the death of her husband, while daughter Saskia is full of teenage dreams and wants to escape back to London. Interspersing their stories with Dieter's ghostly encounters, increases the growing feeling of dread, a sense that something evil has been unleashed - and not for the first time. It all adds up to a spine-shivering, unputdownable read.


Maryom's review - 5 stars
Publisher -
Seren Books
Genre -
adult horror ghost story