Picks 2019

My reading/reviewing took a knock last year, and I haven't read anything like the number of books I usually would. As a result, I haven't gone for a full Top Ten of the year (also, you might note, I'm late posting this). Anyway, here we are, with some of my favourite books of 2019





Stillicide by Cynan Jones. Breath-catching, heart-wrenching, stunning - a series of self-contained but linked short stories set in a bleak, not-too distant, future where providing water to big cities requires military precision and armed guards. Although it's a long step from Jones' previous works set in rural Wales, there's the same precision and attention to detail, his ability to get inside a character's head and create living, breathing people is just the same.






The Sea Within Me by Sarah Dobbs. More dystopian sci-fi, this time in an England threatened by rising sea-levels and terrorists. In grim, beleaguered Newark by the Sea, the government is trialing a scheme to combat crime and fear which erases anything unpleasant from people's minds - a way to keep the population happy, or a form of mind control?







The 'Eternal Sunshine of the Spotless Mind' vibe continues with Bridget Collins' The Binding. A gripping tale of betrayal and hidden secrets set in a vaguely Victorian setting, unhappy memories are gathered by a form of magic, and bound into books. When Emmett is apprenticed as a bookbinder, he starts to uncover his own hidden memories - and his view of the world changes completely.





And The Wind Sees All by Gudmundur Andri Thorsson Another collection of short stories, this time fitting together like a jigsaw puzzle to paint a portrait of the inhabitants of an Icelandic fishing village. At a cursory view they seem happy, respectable, comfortable in their life and ways, but behind the smiling faces heartache, betrayal and deceit lurk.









My last pick - Once Upon a River by Diane Setterfield - is a bit of a cheat as I also included it in last year's 'best of' list; it was only available then as an e-book, now it's in 'proper' book form. It's an astounding piece of storycraft - a tale as much about the stories we tell ourselves to make sense of the frequently puzzling world, as it is about a girl rescued from the river one dark, stormy night.

Top Ten of 2018

For once, I've managed to restrict myself to ten for my 'best of the year' list - all, in their own way, absolutely brilliant ...

Take Nothing With You - Patrick Gale (Tinder Press) - in his fifties, when he thought he was past the age of being surprised, Eustace finds himself falling in love with a man he meets on the internet, and diagnosed with a potentially life-threatening condition. Undergoing long solitary hours of hospital treatment he looks back over his life - the fumbling sexual misadventures of his teenage years, and his escape from a dull, repressive home life through music. Gale's writing is engrossing, intelligent, and compelling.

Missing - Alison Moore (Salt Publishing) How to quickly sum up a novel by Alison Moore? Not easy without giving away too much plot. Jessie Noon lives a solitary life, cut off from neighbours, friends and family. The story follows her trying to start up a new relationship, and fix the gap that has grown between her and her family. On the surface, little seems to happen; beneath it, everything does. Moore is wonderful at playing with words, at building atmosphere, and at creating characters that linger long after the final page.







Home Fire - Kamila Shamsie (Bloomsbury) a book club read which absolutely stunned me. In this story of love, politics, family ties and radicalization, Kamila Shamsie brings Sophocles' Antigone bang up to date, setting it in present day London, where Aneeka finds herself torn between loyalty to her twin brother Parvaiz (despite his extreme beliefs) and her lover, Eamonn, son of the Muslim Home Secretary. I read hoping for a happy ending, but not even today is there an easy way out of this dilemma.









Shadows on the Tundra by Dalia Grinkeviciute (Peirene) Based on actual events, this book is a gripping, moving account of the fate of Lithuanians forcibly moved from their homes during WW2 and 're-settled' in Siberia, in inhumane conditions with inadequate food or shelter. Blurring the lines between fact and fiction, Dalia Grinkeviciute's account doesn't ask for sympathy, but faces the situation head on, doing whatever she needs to to survive.












From a Low and Quiet Sea by Donal Ryan (Doubleday) Three very different men, whose lives are linked in only the slightest of ways, but for whom sorrow has crept up unexpectedly and engulfed them. Donal Ryan always has an amazing way with words, enabling the reader to walk in someone else's shoes for a short time, to experience their fears and hopes, and maybe find sympathy for them.

In Our Mad and Furious City by Guy Gunaratne (Tinder Press) A gripping portrayal of life on a run-down, inner-London estate, of the precarious balance between hope and despair in which its inhabitants live. It follows 48 hours in the lives of three teenage friends from different backgrounds, as outside events kick off riots and change these boys' lives forever. The writing is pacy, and 'in your face', capturing 'street-talk' in a way that feels natural and unforced. It's hard to believe this is a debut novel.










The Truth about Archie and Pye: a mathematical mystery  by Jonathan Pinnock (Farrago) - an off-beat, quirky thriller. After a chance encounter on a train, Tom Winscombe finds himself in possession of a case full of mathematical equations that everyone (including the Belorussian mafia) seems to want, and they're not afraid to kill anyone standing in the way. It's fast-paced, funny, and you don't need to know anything about maths to enjoy it.










Elsewhere, Home by Leila Aboulela (Telegram) - a moving, thought-provoking collection of short stories dealing with the search for 'home' and the difficulties of migrants caught between two places that answer to that description, between the heat and vibrancy of Cairo or Khartoum and the dull, damp streets of Aberdeen or London, or, conversely, the old-fashioned, limited world of Africa and the modern, opportunity-filled one of Europe. Having chosen to leave, though, home can't really be returned to.





Shatila Stories edited by Meike Ziervogel - an ambitious project from the founder of Peirene Press, in which she and London-base Syrian editor Suhir Helal travelled to Beirut, to the Shatila settlement created for Palestinian refugees, and worked with hopeful, enthusiastic, but inexperienced, writers from the camp itself to develop the stories that go into this collection. Again a book that lets the reader into the lives of the people so often dismissed as mere 'numbers' in a news report.






Once Upon a River by Diane Setterfield (Doubleday) This last choice is a sneaky inclusion, as it's currently only available in the UK as an e-book, and won't be available as a hardback till January 17th. It was too good to be made to wait a whole year though. It's a masterpiece of story-telling concerning a girl pulled out of the river Thames. Assumed to be dead, she miraculously comes back to life but then the search is on for her family - with several people claiming her as theirs she becomes the centre of a 'tug of love'.

Once Upon a River by Diane Setterfield

review by Maryom

In the Swan Inn on the banks of the Thames at Radcot, regulars are whiling away the long dark winter's night telling stories when in walks a stranger with the drowned body of a child in his arms. He's battered and bruised, and at first the child appears dead. Who is he? Is the girl his daughter?  where did she come from? the storytellers are quickly at work spinning a new tale from the night's extraordinary events ... then to everyone's amazement the child begins to stir ...


Once Upon a River is a marvelous flowing tale, deep and full as the Thames itself, with a story which whirls away into eddies and backwaters, then rushes forward with the full force of the current.

At its heart lies the mystery of the girl's identity, and a potential tug of love over which family she'll stay with. The Vaughans' young daughter, kidnapped two years ago, has never been traced. Could she have somehow miraculously returned? On the other hand, the Armstrongs have just discovered that their eldest wayward son not only has has a daughter, but has left her, and her mother, in poverty. She's gone missing from her last known home, so could this rescued child be her?

It's also a story about stories, and about how we tell them to make sense of the mysteries and inconsistencies of life. For the Swan's regulars anything that happens must be shaped, given structure, a proper beginning, middle and end, and its heroes and villains identified; the story of a dead girl coming back to life is both a blessing - such an amazing tale to tell - and a difficulty - for who can tell how it will end? As the river hides currents and treacherous weeds beneath its smooth surface, there's more to any of these stories than at first apparent. I loved the way these untrained story-tellers sat around and discussed how a story would best progress, helping each other hone their tales for the better enjoyment of all.

Once Upon a River is an astounding piece of storycraft. Its various threads twisting round each other, as the reader is swept along by its current. It will definitely be heading straight for my 'best of ...' lists, but here's a problem. Which year does it belong in? It's published in the US and Canada, and as an e-book on 4th December 2018, but UK hardback publication is not till 17th January 2019. Maybe it can somehow sneak into both years' lists.

Maryom's review - 5 stars

Publisher - Doubleday

Genre - adult fiction